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Read more ",{"_key":2155,"_type":61,"marks":2156,"text":2025},"b23636f9c7cc",[2157],"2b6a8fc2d94c",{"_key":2159,"_type":61,"marks":2160,"text":1803},"2722f4bee6a1",[],[2162],{"_key":2157,"_type":71,"href":2163},"https:\u002F\u002Fwww.tinworksart.org\u002Fexhibitions\u002Fchiselandrazor-act-i","Join us",{"_key":2166,"_type":1831,"populateWithLatestEvents":1753,"title":2035},"50713722a548",[2168,2169],{"slug":1835,"title":1836},{"slug":2041,"title":2042},{"_type":183,"alt":168,"aspectRatio":2044,"asset":2171,"body":168,"caption":168,"height":2047,"hotspot":168,"id":2172,"preview":2173,"width":2049},{"_ref":2172,"_type":186},"image-f060a0fd18eb5571fc5e004d2a92252aa9c33655-1200x800-png","data:image\u002Fpng;base64,iVBORw0KGgoAAAANSUhEUgAAABQAAAANCAIAAAAmMtkJAAAACXBIWXMAAA7EAAAOxAGVKw4bAAACxUlEQVR4nGWQWU8TUQCF7wydmZbpnUvboe2sTFu6C0OlbaBQKVhQaKwJJkBd0AcUxcYNjc9o0ATjHhEBU0V4IW4xGh6MS4zEWKvEP+CLcQct\u002FAJD+2Lwez5fTs4Bfxr9y0l1uSewsnP9SlcgH6\u002FKR9f92Rv88SD++UPiy0Liay7x6kk8M9E4dj1yfaJhdLLh0nT03Gx0+FETyAYq321w5zZ732\u002Fx5do82bAzq1a+7fTPX428uN\u002F08n7s+d2m2+OR4eHgqaHa82dCmZG6zJXI+GhkdLwBpHnToN96XOWO+C2HPOZBp\u002FmYy3K4xprukPtTjr6Uc3eXs3ObszXpak+6T6T8jwcC2YHaN72B+ZQKQiwdV00ba9g6OwrbULPbEPMZ6yQYFmF1pcEum0TeKMsW2S76fbZ0i3e+L\u002FC9P\u002FijJ\u002FCrswY4WJ3qQqobeSugU9K7JVrhSgVEyWVantVBmiJJUqfV6vVQkfm+rb6n5+s\u002F3Yl9u9W8kmkBglnvcbCqx1rttnod5TJvYI3IVMawBsjotYQGxzCAYRhBkKJo6e72Td1qfPmsdf71poW37cBogIps9bgUj0tx2EVZ4kVRkCSJ5znEMJqSEqwARVKCxHUk3SMj4amZDWNzzVdfbQQkSdJ6GhXQF4AQMgwDIaQoCsdxAFabSZKycua2uOPsycDk5foLM9GhuRjQkgSkS5GepnU6gtBgOFZMFwEFijLPmZNR+7WD6r2h8PTF+huZRsAyOsWC7JyBL2cQXB1ZFP5ldTNFCVbz9qDt4Y6qjwdqP6SD746GAGekXSJyS8guQI4tLaU0he61cglBWAxojyq+2V61tD+4uC+0tC8IzMYyRSy3SeUVoom3GCCtxf+zMQBwHDdCqjcqZE+H8zdjvydi+YkYMJlMsizZbIqiVIiigBAqPrxWxrAySOxKStnZpsX3iZ+5jqVc4i+R0qvyAWJdYgAAAABJRU5ErkJggg==",{"_type":1848,"end":2051,"start":2175},"2026-06-19T20:35:00.000Z",{"_type":183,"asset":2177},{"_ref":2172,"_type":186},{"_id":2065,"priority":849,"slug":2066,"title":2067},{"_type":1857,"seoDescription":2180,"seoImage":2181,"seoTitle":2183},"Everyone is welcome at Tinworks for a public Juneteenth Celebration on June 19, 2026. 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Lewis—a Bozeman-based performer, entrepreneur, and community leader who was central to Edmonia’s success. ",[],{"_key":2208,"_type":57,"children":2209,"markDefs":2214,"style":73},"5e8281c79859",[2210],{"_key":2211,"_type":61,"marks":2212,"text":2213},"52ff391df466",[],"The first installation of this two-part show brings together a selection of work, some newly commissioned, that celebrates the life and legacy of Samuel W. Lewis, who served as his sister’s benefactor and support system. Samuel’s life in Bozeman between 1868 and 1896 reveals a West shaped by the ideology of Manifest Destiny. The presence of Black settlers, whose participation in westward expansion has yet to be fully recognized, undermined the racial justifications for appropriating Native land. At the same time, Black settlers shared their neighbors’ aspirations to freedom and social mobility.",[],{"_key":2216,"_type":57,"children":2217,"markDefs":2222,"style":73},"16d0f712cb56",[2218],{"_key":2219,"_type":61,"marks":2220,"text":2221},"ac0e6a0b6416",[],"Los Angeles-based artist Edgar Arceneaux will present a theatrical reconstruction, co-written with Frank Lawson, of the siblings’ lives developed with local Bozeman actors, encouraging audiences to reflect upon and imagine the lives of these adventurous figures and to consider broader Black histories of the West. After its presentation, the play will be reconfigured into an installation of painting and video, which will remain on view in the Warehouse space at Tinworks. Additional artists whose work will be presented in the Tinworks Warehouse space, including Terry Adkins, Sonya Clark, Maud Sulter, and Nate Young, will explore how the stories we tell about the past shape present realities.",[],{"_key":2224,"_type":57,"children":2225,"markDefs":2234,"style":73},"57534311af96",[2226,2230],{"_key":2227,"_type":61,"marks":2228,"text":2229},"ef0d8dff81c3",[1737],"Chisel & Razor, Act II",{"_key":2231,"_type":61,"marks":2232,"text":2233},"3f06837ace01",[]," will be presented from October 3, 2026–April 4, 2027. ",[],{"_key":2236,"_type":2237,"links":2238},"0c7cc73c96bf","ctaButtons",[2239],{"_key":2240,"_type":2241,"reference":2242,"title":2243},"f0b6efde19f8","internalLink",{"_ref":738,"_type":186},"Read about Act II here",{"_key":2245,"_type":183,"asset":2246,"caption":2248},"0d97db43e00b",{"_ref":2247,"_type":186},"image-0e92661239c0187bde2c450c5610b97b29f23248-2053x1636-jpg",[2249],{"_key":2250,"_type":57,"children":2251,"markDefs":2264,"style":73},"bf87e7da3e67",[2252,2256,2260],{"_key":2253,"_type":61,"marks":2254,"text":2255},"2f4bae5d083b",[],"Nate Young, ",{"_key":2257,"_type":61,"marks":2258,"text":2259},"5a038f6688c6",[1737],"In Black Untime No. 14",{"_key":2261,"_type":61,"marks":2262,"text":2263},"c319a36854bb",[],", 2022. Graphite on paper and vellum, archival tape and oak. 26 x 34 in. Image courtesy of the artist and Monique Meloche Gallery. Photo: Bob",[],{"_key":2266,"_type":57,"children":2267,"markDefs":2280,"style":73},"13390a75a873",[2268,2272,2276],{"_key":2269,"_type":61,"marks":2270,"text":2271},"c3cf96f5b495",[],"In addition to the works on view at Tinworks Art’s campus, ",{"_key":2273,"_type":61,"marks":2274,"text":2275},"928d1069cf79",[1737],"Chisel & Razor",{"_key":2277,"_type":61,"marks":2278,"text":2279},"ef1b2ae5c69f",[]," will be a citywide celebration in partnership with Montana State University College of Arts & Architecture. Stay tuned for further details on programming.",[],{"_key":2282,"_type":57,"children":2283,"markDefs":2288,"style":73},"998e1f354b9e",[2284],{"_key":2285,"_type":61,"marks":2286,"text":2287},"02d6527ba28b",[],"The exhibition is curated by Dr. Melissa Ragain in collaboration with a group of advisors, including Dr. Tiya Miles, 2011 MacArthur Fellow, author, and Professor of History at Harvard University who also serves on Tinworks Art’s Board of Directors; MSU Professor of Native American Studies Dr. Anita Moore-Nall; Montana-based filmmaker Nnamdi Kanaga; MSU professor in Sociology & Anthropology Dr. Jelani Mahiri; Montana-based artist Emily Gonzales; Montana-based writer Dr. Betsy Quammen; and Montana-based writer Dr. Anthony W. Wood.",[],"Act I",{"_key":2291,"_type":2292,"accordion":2293,"title":2298},"e08bee0f3234","accordionBlock",[2294],{"_key":2295,"_type":71,"title":2296,"url":2297},"0db941a041d2","Learn more about the lives of Edmonia and Samuel Lewis","https:\u002F\u002Fwww.tinworksart.org\u002Fchiselandrazor-edmonia-and-samuel","About Edmonia and Samuel Lewis",{"_key":2300,"_type":1729,"body":2301,"title":2318},"0dc20fed1a73",[2302,2310],{"_key":2303,"_type":57,"children":2304,"markDefs":2309,"style":73},"29c32b9de733",[2305],{"_key":2306,"_type":61,"marks":2307,"text":2308},"d9db7e434ae4",[],"Tinworks Art gratefully acknowledges the generous support of VIA Art Fund for the production and exhibition of Edmonia Triumphalis by Auriea Harvey, and the Vilcek Foundation for their support of Sunflowers, to follow the wheat by Agnes Denes, an ongoing ecological intervention in Tinworks’ field. Major program support for Tinworks Art is provided by The Andy Warhol Foundation for the Visual Arts and Tinworks Founding Director’s Council. 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Photo: Paula Court",[],{"_id":2065,"priority":849,"slug":2066,"title":2067},false,{"_type":1857,"seoDescription":2354,"seoImage":2355,"seoTitle":2357},"Tinworks Art in Bozeman, Montana, presents an exhibition that foregrounds contemporary artists inspired by the biography and historical context Edmonia Lewis and Samuel Lewis through a wide range of media, revealing the ongoing relevance of their lives and creative practice. Artists include Edgar Arceneaux, Terry Adkins, Sonya Clark, Maud Sulter, and Nate Young. ",{"_type":183,"asset":2356},{"_ref":2326,"_type":186},"Chisel & Razor: The Artistic Legacies of Edmonia and Samuel Lewis, Act I","The Artistic Legacies of Edmonia & Samuel Lewis","Chisel & Razor, Act I",{"_createdAt":2361,"_id":738,"_rev":2362,"_system":2363,"_type":446,"_updatedAt":2366,"blocks":2367,"categories":2449,"coverImage":2451,"coverMode":183,"coverVideo":168,"duration":2458,"leadImage":2461,"location":2481,"longtermInstallation":2352,"seo":2482,"slug":382,"subtitle":2358,"title":2229},"2026-01-22T05:48:47Z","2BW2PGjiaA808CejSyCUwC",{"base":2364},{"id":738,"rev":2365},"mNUVhg5eLR03NRLYPSrVyJ","2026-04-22T13:31:22Z",[2368,2434,2444],{"_key":2369,"_type":1729,"body":2370,"title":2433},"e0c2f8c44fce",[2371,2379,2387,2395,2406,2413,2426],{"_key":2372,"_type":57,"children":2373,"markDefs":2378,"style":73},"5092c851fb1f",[2374],{"_key":2375,"_type":61,"marks":2376,"text":2377},"4df49112de3e",[],"This two-part exhibition unites, for the first time, the stories of Mary Edmonia Lewis, the first internationally acclaimed Black and Anishinaabe sculptor, and that of her brother, Samuel W. 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Harvey’s immersive installation, Edmonia Triumphalis, memorializes an imaginary journey by Edmonia to visit her brother in Bozeman, a journey she was never able to make in her lifetime.",[],{"_key":2388,"_type":57,"children":2389,"markDefs":2394,"style":73},"a88953e80eca",[2390],{"_key":2391,"_type":61,"marks":2392,"text":2393},"3faf01da5fdd",[],"The work features a triumphal arch constructed from local rammed earth and a monumental fountain inspired by Edmonia Lewis’s classical and baroque influences. Through researchbased storytelling and sculptural innovation, Harvey bridges Rome and Montana, illuminating the global networks that underpinned the siblings’ lives. Other artists whose work will be presented in the Mill building, including Sanford Biggers, Andrea Carlson, Kelly Church, and Athena LaTocha, likewise consider how ancient traditions from North America, Northern Africa, and the Mediterranean remain vital to the practices of contemporary artists.",[],{"_key":2396,"_type":57,"children":2397,"markDefs":2405,"style":73},"199ba14be803",[2398,2401],{"_key":2399,"_type":61,"marks":2400,"text":2359},"4f20e1240639",[1737],{"_key":2402,"_type":61,"marks":2403,"text":2404},"bc0d5ecd39f8",[]," will be presented from June 19–October 31, 2026.",[],{"_key":2407,"_type":2237,"links":2408},"423312c6991f",[2409],{"_key":2410,"_type":2241,"reference":2411,"title":2412},"7c20249e1a6d",{"_ref":676,"_type":186},"Read about Act I here",{"_key":2414,"_type":57,"children":2415,"markDefs":2425,"style":73},"1af4d7f133cf",[2416,2419,2422],{"_key":2417,"_type":61,"marks":2418,"text":2271},"b24a9b0e1881",[],{"_key":2420,"_type":61,"marks":2421,"text":2275},"2b2f84721018",[1737],{"_key":2423,"_type":61,"marks":2424,"text":2279},"69b3b8368fe5",[],[],{"_key":2427,"_type":57,"children":2428,"markDefs":2432,"style":73},"083c4b7ef899",[2429],{"_key":2430,"_type":61,"marks":2431,"text":2287},"292dbc4d5557",[],[],"Act II",{"_key":2435,"_type":1729,"body":2436,"title":2318},"19cccdd50b61",[2437],{"_key":2438,"_type":57,"children":2439,"markDefs":2443,"style":73},"150f9d18c066",[2440],{"_key":2441,"_type":61,"marks":2442,"text":2308},"0526ada901cc",[],[],{"_key":2445,"_type":2292,"accordion":2446,"title":2298},"a1c603ddec2e",[2447],{"_key":2448,"_type":71,"title":2296,"url":2297},"975bf2258b28",[2450],{"slug":2321,"title":2322},{"_type":183,"alt":168,"aspectRatio":2452,"asset":2453,"body":168,"caption":168,"height":2455,"hotspot":168,"id":2454,"preview":2456,"width":2457},1.2944983818770226,{"_ref":2454,"_type":186},"image-10a460722332edf24031e8b77e62bdf119347a56-2000x1545-png",1545,"data:image\u002Fpng;base64,iVBORw0KGgoAAAANSUhEUgAAABQAAAAPCAIAAABr+ngCAAAACXBIWXMAABv9AAAb\u002FQGX0Qc2AAADSElEQVR4nBXLbXOadgAAcL7Qbrfbm15vu255Mo2mmvgEKCBi5BnhLyCCAkbwKY3SxqgxabL4kLVm5nK7pFvftK+3T7Xb7\u002F0P+tixbl352mLPynmHSspIlEtG2VRMQg5ANgGwFCAQjcKNImnzxbYi9HUhqIiBAYKqCj0M3EUTTKpMRyQ1PMmnowIcU7JxDY\u002FrRBLgKRmDFQIFuYxewE2atLl8u3T0ziiN6hr0fN6aNcsnMunQGZNKV8lklUyATExCo2Y+3RJzLoNrOUTG0woBq\u002FmMXsBqLNkrc6M6gJ6G\u002FrQu+VzGZ+G3InIiwFo2ktr+Gd59dczA8wb\u002Fm80OAGXTWUDAIIfoBcxkyGaJCaoKtGhVArXY5pCBmBqDlEdF0lsvXv34XWb3p3EZ\u002FbPLrzxu5rKTKu2ymEKkNRKpM0RLYQNThYY6cyIRXQ5+J8YnctRCf428\u002FD788gcdDS1r2NqnZw49c9m7pnBhMsccXqUQh8FOVPbc1qE+oNo86tPxbjHSZ\u002FZq2Y3c7gsp\u002FssYwOsWe98p3XnyrSvMG\u002FyqDa5s0ROIJof1VWZs69BQP2pxsEXsG5ltK7utwZul5FaHOZjXqUVTuG0qi5Z201Cubf6uVf7QAL5EeQIRaOzU0aAPNaYnIjq2Lya2hPgGd7ihIHsDOTOtFjoiZhfRQGeWfnnWEK8caWiWPKngC7mxyf\u002FesaAbq3AqoQYe4xMhJrZxFNuU4EhXxKY1dgBIk0z05PynrrZsSte2sPTVkcmfKuSNIz6996AbM9eXMmbuUEq\u002FZg62CtEtOhF2GOzTifH5rD4\u002FFpct9aFvXZr0pEI99NRVW74wCsum\u002FGXcgRYuc6aS9UK6hETow918dCcT3illk\u002Fd9+9+74NvUfQqMpSd1uGSDil1U8h+PuaVTXHfA36M2tO6CSZV2aLiEvKHjYXw\u002FlAptKlhyHTj\u002FLE+\u002FjsyVxwRSSkdDKvr6rYguXXbtsY\u002Fd8vOwBT0PjEuLsY9SIrxfjIfRvW0sstOVyS8j59vEuve5aQX3j96U4R07H7syi489sPL4W7f0R\u002F8Y+jyoXFrFGpXgU\u002FuFw\u002F8znQhf1tiv58ZTj5sa+FDLdbmEnQu\u002FB9nHHvgrqMxdblCmL1zjP5k4li2\u002FSv43AAAAAElFTkSuQmCC",2000,{"_type":1848,"end":2459,"start":2460},"2027-04-04T18:59:00.000Z","2026-10-03T07:00:00.000Z",{"_type":183,"asset":2462,"caption":2464},{"_ref":2463,"_type":186},"image-2ec7731ef33199abf30fa93578ff527aaa45c52b-11648x8736-tif",[2465],{"_key":2466,"_type":57,"children":2467,"markDefs":2480,"style":73},"9bd40cdacb46",[2468,2472,2476],{"_key":2469,"_type":61,"marks":2470,"text":2471},"cb738bf74e2f",[],"Athena LaTocha, ",{"_key":2473,"_type":61,"marks":2474,"text":2475},"298e1d024331",[1737],"As Night Devours The World, ",{"_key":2477,"_type":61,"marks":2478,"text":2479},"1aac360cdc1f",[],"2022.",[],{"_id":2065,"priority":849,"slug":2066,"title":2067},{"_type":1857,"seoDescription":2483,"seoImage":2484,"seoTitle":2486},"Tinworks Art in Bozeman, Montana, presents an exhibition that foregrounds contemporary artists inspired by the biography and historical context Edmonia Lewis and Samuel Lewis through a wide range of media, revealing the ongoing\nrelevance of their lives and creative practice. 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aisles of a working prop house, where Wheeler-Nicholson picks up loose threads from ",{"_key":2570,"_type":61,"marks":2571,"text":2572},"8de20e99a73f",[1737],"Straight Flush",{"_key":2574,"_type":61,"marks":2575,"text":2576},"c88bde23a96d",[],", composing letters back to the philosopher Günther Anders and tracing the logic of replicas, stand-ins, and fake German towns built to be bombed in the desert.",[],{"_key":2579,"_type":57,"children":2580,"markDefs":2589,"style":73},"d625c59edaf2",[2581,2585],{"_key":2582,"_type":61,"marks":2583,"text":2584},"3dc8bd2dfa74",[1737],"When Horses Were Coconuts",{"_key":2586,"_type":61,"marks":2587,"text":2588},"a5fc82be601a",[]," (2019, 7 min) displaces the image of the bomb entirely: filmed at a waterfall in upstate New York and flipped 180 degrees, the footage becomes a strange proxy for the most iconic explosion of the twentieth century, recalling the Foley artist who fabricated the sound of the first televised atomic test from a recording of an African waterfall played backwards.",[],{"_key":2591,"_type":57,"children":2592,"markDefs":2597,"style":73},"d4bd7671ec7e",[2593],{"_key":2594,"_type":61,"marks":2595,"text":2596},"93c1784e0190",[],"Together, the four films pull apart the images, sounds, and scripts that shaped the public memory of nuclear destruction, refusing to reproduce them cleanly.",[],{"_key":2599,"_type":57,"children":2600,"markDefs":2605,"style":73},"ca0caf0ac4eb",[2601],{"_key":2602,"_type":61,"marks":2603,"text":2604},"bb93f2fae52a",[],"Film viewing is free to all.",[],{"_key":2607,"_type":2237,"links":2608},"993b6b0143b9",[2609],{"_key":2610,"_type":2611,"title":2612,"url":2613},"cd08b54b4f04","externalLink","Watch the 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Tinworks, this work highlights a line from Long Soldier’s published poem, ",{"_key":2732,"_type":61,"marks":2733,"text":2734},"455d4f48fbf1",[1737],"Whereas.",{"_key":2736,"_type":61,"marks":2737,"text":2711},"66367d6f9254",[],[],{"_key":2740,"_type":57,"children":2741,"markDefs":2750,"style":73},"b2cffb9df77d",[2742,2746],{"_key":2743,"_type":61,"marks":2744,"text":2745},"00acc7bf6440",[1737],"i don't trust nobody but the land",{"_key":2747,"_type":61,"marks":2748,"text":2749},"f1865c016a6b",[]," is a multi-dimensional exploration of Indigenous identity, cultural memory, and the interplay between language and landscape. Her lightbox sculpture, using material reclaimed from a former RV park and café on the Gallatin River, recontextualizes the poet’s experience during her annual solstice trip back to her Lakota homeland to speak more broadly for the diverse communities grappling with the rapid changes of the new American West. At a time when the fertile fields and rolling foothills of the Gallatin Valley around Bozeman are being lost to development and rapid urbanization, Long Soldier’s declaration “I don’t trust nobody but the land” could speak for many of us. ",[],{"_key":2752,"_type":1729,"body":2753,"title":1828},"8b6e0ea4e6f2",[2754,2770],{"_key":2755,"_type":57,"children":2756,"markDefs":2769,"style":73},"412b2b3a3715",[2757,2761,2765],{"_key":2758,"_type":61,"marks":2759,"text":2760},"91f5f9fd923a0",[],"Layli Long Soldier is an artist, poet, and citizen of the ",{"_key":2762,"_type":61,"marks":2763,"text":2764},"4fbcfbe43cd2",[1737],"Oglala Lakota ",{"_key":2766,"_type":61,"marks":2767,"text":2768},"f6b73f337be6",[],"Nation based in Santa Fe, NM. 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Refurbished light cabinet, vinyl letters. 108 x 16.5 x 36 inches. Photo: Blair Speed",[],{"_id":2065,"priority":849,"slug":2066,"title":2067},"Layli Long Soldier",{"_createdAt":2968,"_id":579,"_rev":2969,"_system":2970,"_type":446,"_updatedAt":2973,"blocks":2974,"categories":3318,"coverImage":3320,"coverMode":183,"coverVideo":168,"duration":3327,"leadImage":3330,"location":3347,"longtermInstallation":1753,"seo":3348,"slug":374,"title":3167},"2024-05-17T07:23:37Z","d6rU2Axxl9yWgrNkb3eRJS",{"base":2971},{"id":579,"rev":2972},"qIqG2jt1KB7Xk9VD70p1K1","2026-03-06T23:14:09Z",[2975,3122,3157,3175],{"_key":2976,"_type":1729,"body":2977,"title":1744},"4768ab044169",[2978,2986],{"_key":2979,"_type":57,"children":2980,"markDefs":2985,"style":73},"d2f60ac0abae",[2981],{"_key":2982,"_type":61,"marks":2983,"text":2984},"e1f60ef82df30",[],"In 2024, Tinworks continued its program of hosting artists on site to conduct research and develop new work. Wills Brewer hand-built ceramic vessels with forms based on earth-building techniques and traditional brick-making the artist learned in the U.S. and Europe. Often made of wild clay, the works were also inspired by Agnes Martin’s repetitive, meditative mark-making and her own forays into earthen construction at her home and studio in New Mexico. 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The seed is in the ground",{"_key":3009,"_type":61,"marks":3010,"text":3011},"2c24fc14048d5",[],"; both are ephemeral in nature, for the whole community, and with nothing going to waste.\n\n",{"_key":3013,"_type":61,"marks":3014,"text":2992},"2c24fc14048d6",[1737],{"_key":3016,"_type":61,"marks":3017,"text":3018},"2c24fc14048d7",[]," is also in conversation with future residential developments soon to dominate this historically-industrial district. Like the high-rise slated a stone’s throw from his piece, Brewers built this “development” vertically. Although the dwelling is not for people.\nAs the seasons change, this adobe-inspired green space will cycle through decomposition, new growth, and absorption back into the land on which it was built. Perhaps a garden will grow, creatures will find habitat, or a new parking lot will take precedence. ",{"_key":3020,"_type":61,"marks":3021,"text":2992},"2c24fc14048d8",[1737],{"_key":3023,"_type":61,"marks":3024,"text":3025},"2c24fc14048d9",[]," will be on view at Tinworks Art for the duration of its existence.\n\nSpecial thanks to Ryan and Adrienne of Happy Trash Can for the compost.\n\n",{"_key":3027,"_type":61,"marks":3028,"text":3029},"2c24fc14048d10",[1737],"A Tornado is a Ladder You Can’t Climb Down,",{"_key":3031,"_type":61,"marks":3032,"text":3033},"2c24fc14048d11",[]," 2024 Print on polycarbonate panel, 70” x 35”\n\nPROPOSITO\nLatin for ",{"_key":3035,"_type":61,"marks":3036,"text":3037},"2c24fc14048d12",[1737],"on\u002Fwith purpose",{"_key":3039,"_type":61,"marks":3040,"text":3041},"2c24fc14048d13",[],"Spanish\u002FItalian for ",{"_key":3043,"_type":61,"marks":3044,"text":3045},"2c24fc14048d14",[1737],"purpose",{"_key":3047,"_type":61,"marks":3048,"text":2316},"2c24fc14048d15",[],{"_key":3050,"_type":61,"marks":3051,"text":3052},"2c24fc14048d16",[1737],"\nTornadoes have specific purpose in the natural world, otherwise they would cease to exist.\n",{"_key":3054,"_type":61,"marks":3055,"text":2316},"2c24fc14048d17",[],{"_key":3057,"_type":61,"marks":3058,"text":3059},"2c24fc14048d18",[1737],"Wild flowers erupt in the areas around a tornado’s path; they are excellent seed dispersal units. 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